Tari Sandar sebagai Benteng Pertahanan Adat di Desa Adat Kedonganan Kuta

I Made Sudarsana

Sari


Performing art in Bali is a cultural repertoire that is very tied to the diversity of forms and goals. The island of Bali, dubbed the Island of the Gods, Khayangan Island (Island of Paradise) has a variety of dances that vary in shape and have a close relationship with the implementation of Hindu religious ceremonies which are the largest in number in Bali. The attraction of Bali is its unique culture, community life and natural beauty. Its cultural life is the unification of religion, culture, harmonious customs, taste and intention as a prominent element of human cultivation taking the form of religion, aesthetics and ethics. This is reflected through cultural arts, solidarity of mutual cooperation as a sense of togetherness.

As a tradition, the existence of Balinese art is in line with all aspects of life. In an integrated manner, reflecting on the ideals of the supporting community is not excessive if the Balinese people consider that art (dance, gamelan and wayang) is an integral part of their lives which is always bound by ritual events. Hinduism which has rational, ritual, emotional and belief elements often makes the art as a ritual drama a means to strengthen trust and formulate religious conceptions in people’s lives.


Kata Kunci


Sandar Dance; Magis Fortress; Traditional Village

Teks Lengkap:

PDF

Referensi


Ali, Matius. 2009. Estetika. Tangerang : Sanggar Luxor.

Anwar, LPH, Wadjis. 1979. Nilai Filsafat Dalam Dunia Modern ini. Alumni Bandung

Bandem, I Made dan deBoer, Fredrik Eugene.2004. Kaja dan Kelod. Jogjakarta : Badan Penerbit Jogjakarta.

Bawa Atmaja, I Nengah. 1986. Metodelogi Penelitian. Jakarta: PT. Gramedia.

Dibia, I Wayan. 2006. Tari Komunal. Jakarta : Lembaga Pendidikan Seni Nusantara.

Dibia, I Wayan. 1999. Seni Pertunjukan Bali. Yogyakarta : Masyarakat Seni Pertunjukan Indonesia.

Gulo, W. 2002. Metodelogi Penelitian. Jakarta : PT. Grasindo.

Kadjeng, I Nyoman dkk. 1997. Sarascamuscaya. Surabaya. Paramita.

Koentjaraningrat. 1980. Sejarah Teori Antropologi 1. Jakarta : Universitas Indonesia

Muchsin, H.2002. Menggagas Etika dan Moral di Tengah Modernitas. Surabaya:

C.V Adis

Sastro Sopomo, dkk. 1983. Siwa Sesana. Jakarta: CV Gunung Jati.

Sudikin, Basrowi. 2002. Metode Penelitian Kualitatif Perspektif Mikro. Surabaya : Insan Cendekia.

Sudyatmaka. 1998. Bali Arts Festival (Pesta Kesenian Bali). Denpasar: Pemerintah Daerah Propinsi Bali.

Setia, Putu. 2002. Mendebat Bali. Denpasar: Pustaka Manikgeni.

Sri Arwati, Ni Made. 2002. Banten Pejati. Denpasar : Upada Sastra.

Sumaryono dan Suanda, Endo. 2006. Tari Tontonan. Jakarta : Lembaga Pendidikan Seni Nusantara.

Titib, I Made. 2003. Teologi & Simbol – Simbol Dalam Agama Hindu. Surabaya: Paramita.




DOI: http://dx.doi.org/10.25078/sjf.v9i2.1625

Refbacks

  • Saat ini tidak ada refbacks.


Diterbitkan Oleh:

Program Studi Filsafat Hindu Jurusan Filsafat Timur Fakultas Brahma Widya Institut Hindu Dharma Negeri Denpasar


Editorial Office: